Contoh Daftar Isi Skripsi Fakultas Bahasa dan Seni

DAFTAR ISI

ABSTRAK .......................................................................................................... i
KATA PENGANTAR........................................................................................ ii
DAFTAR ISI....................................................................................................... iv
DAFTAR GAMBAR.......................................................................................... iv
DAFTAR TABEL.............................................................................................. v
BAB I PENDAHULUAN
A.      Latar Belakang Masalah........................................................ 1
B.       Identifikasih Masalah............................................................ 4
C.       Pembatasan Masalah.............................................................. 5
D.      Rumusan Masalah.................................................................. 6
E.       Tujuan Penelitian................................................................... 8
F.        Manfaat Penelitian................................................................. 8
BAB II LANDASAN TEORITIS DAN KERANGKA KONSEPTUAL
A.      Landasan Teoritis................................................................. 10
1.    Pengertian Pergeseran...................................................... 11
2.    Teori Fungsi..................................................................... 11
3.    Pengertian Tari Moyo...................................................... 14
4.    Teori Musik Pengiring...................................................... 15
5.    Teori Tari.......................................................................... 21
B.       Kerangka Konseptual........................................................... 21
BAB III METODOLOGI PENELITIAN
A.      Metodologi Penelitian.......................................................... 23
B.       Lokasi dan Waktu Penelitian................................................ 24
C.       Populasi dan Sampel............................................................. 24
1.    Populasi............................................................................ 24
2.    Sampel............................................................................. 25
D.      Teknik Pengumpulan Data................................................... 26
1.    Observasi  Dan Pengamatan............................................ 26
2.    Wawancara...................................................................... 27
3.    Dokumentasi.................................................................... 28
4.    Studi Kepustakaan........................................................... 28
E.       Teknik Analisis Data............................................................ 30
BAB IV PEMBAHASAN DAN HASIL PENELITIAN
A. . Deskripsi Tari Moyo (Tari Elang) di Kota Medan............... 32
a. Isi Cerita........................................................................... 32
b. Isi Pesan........................................................................... 32
c.. Bahasa Nias..................................................................... 32
B... Bagaimana sejarah Tari Moyo (Tari Elang) Di Kota
...... Medan.................................................................................. 33
C... Penari Moyo (Tari Elang)..................................................... 35
E.... Deskripsi Gerak Tari Moyo (Tari Elang).............................. 36
F.... Beberapa Gerakan Dalam Tari Moyo (Tari elang)................ 37
G... Partitur Lagu pada Tari Moyo (Tari Elang).......................... 39
...... 1. Partitur Tari Moyo (Tari Elang) Sebelum
......     Mengalami Pergeseran...................................................... 40
...... 2. Partitur Tari Moyo (Tari Elang) Setelah
......     Mengalami Pergeseran...................................................... 41
...... H.  Nada-Nada Pada Tari Moyo (Tari Elang)............................. 47
......   I. Penyebab Pergeseran Fungsi Musik Gondra Pada Tari  Moyo
......      (Tari Elang) ............................................................................ 47  
J.          Instrumen Musik Pengiring Tari Moyo                                        51
a. Gong (Aramba)................................................................. 52
b. Gondra............................................................................. 54
c. Saraina (Faricia) ............................................................... 58
K. . Dampak Yang Timbul Terhadap Pergeseran Fungsi
Musik Gondra Pada Tari Moyo (Tari Elang)........................ 61
1. Dampak Positif................................................................. 61
2. Dampak Negatif............................................................... 62
BAB V KESIMPULAN DAN SARAN
A. . KESIMPULAN................................................................... 63
B... SARAN................................................................................ 64
DAFTAR PUSTAKA....................................................................................... 65

Facebook Comment